Mindful that Hiragino Sans (Kaku Gothic) would be used in conjunction with Hiragino Serif (Mincho), SCREEN developed a font that anticipated today’s world where most people do their reading on displays and yet still has an orthodox letterform that does not blur when printed on paper. In short, our goal with this font was to create a new concept that responds to the demands of today’s times. This font makes it well-suited to all visual expression media including paper, metallic textures, resins, cloth, television, movies, broadcasting, websites, and electronic displays.
One of the design’s strongpoints is that it elides serif on the right side of each stroke, thus delivering more spacious counters and a comfortable appearance. Thanks to this, the typeface not only delivers a contemporary, lively impression same as Latin sans serif typefaces, but also heightens the natural continuity and readability of text whether it is set vertically or horizontally. As a result, it makes it possible to bring a strong appealing power to text. Without a doubt, this is typeface that above else embodies the role of Sans Serif.
SCREEN began developing the Hiragino font in 1990 for inclusion with its typesetting system as the company was a comprehensive manufacturer of photographic reproduction equipment at that time. SCREEN did not have its own typeface design and decided to develop from scratch. The company favored typefaces completely different from those that had come before. Hiragino Serif (Mincho) and Hiragino Sans (Kaku Gothic) were developed in this way with the design concept “cool and contemporary” but still “orthodox, universally preferable and with excellent readability”.
With the successful development of first Hiragino Serif and Sans, SCREEN went on to create the Hiragino Sans Rounded (Maru Gothic), and Universal Design (UD) series, and Hiragino Sans GB (Simplified Chinese) fonts. SCREEN has created numerous typefaces vital to today’s world due to their readability and beauty; they are widely used in a variety of applications, ranging from advertising, publishing, and broadcasting to smartphones, tablets, highway signs, and multilingual signs.
Our Hiragino fonts will continue to evolve to keep pace with changes in lifestyles and needs, and we will persist in our quest to develop fonts that will still be used a century from now without losing any of their luster.
As with everything from Adobe Fonts, you can use these fonts for:
Design Projects
Create images or vector artwork, including logos
Website Publishing
Create a Web Project to add any font from our service to your website
PDFs
Embed fonts in PDFs for viewing and printing
Video and Broadcast
Use fonts to create in-house or commercial video content
How to Use
You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.
Desktop
In application font menus, this font will display:
{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}Web
To use this font on your website, use the following CSS:
font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};
Glyph Support & Stylistic Filters
Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.