Brimming with subtly original design details, Kranto is a solid, trustworthy, and readable typeface that strives for objectivity and neutrality, making it an ideal choice not only for a broad assortment of corporate, editorial, and digital jobs, but also for environmental uses like signage and wayfinding systems. Kranto is a sans serif superfamily of 144 styles designed by Ramiro Espinoza, drawing inspiration from a group of mainly British and German grotesque typefaces from the first half of the twentieth century. Composed of three widths—Normal, Semi Condensed, and Condensed, each in seven weights from Thin to Black. For maximum typesetting and typographic flexibility, each weight is available in three different x-heights: Text, Normal, and Display. Its extensive character set includes fractions, case-sensitive forms, arrows, ordinals, icons, and tabular figures. In addition to Western European languages, it also supports Central European, Baltic, and Turkic languages.
For additional license options like app, enterprise, multi-user, and self-hosted web, visit Kranto on Brimming with subtly original design details, Kranto is a solid, trustworthy, and readable typeface that strives for objectivity and neutrality, making it an ideal choice not only for a broad assortment of corporate, editorial, and digital jobs, but also for environmental uses like signage and wayfinding systems. Kranto is a sans serif superfamily of 144 styles designed by Ramiro Espinoza, drawing inspiration from a group of mainly British and German grotesque typefaces from the first half of the twentieth century. Composed of three widths—Normal, Semi Condensed, and Condensed, each in seven weights from Thin to Black. For maximum typesetting and typographic flexibility, each weight is available in three different x-heights: Text, Normal, and Display. Its extensive character set includes fractions, case-sensitive forms, arrows, ordinals, icons, and tabular figures. In addition to Western European languages, it also supports Central European, Baltic, and Turkic languages.
For additional license options like app, enterprise, multi-user, and self-hosted web, visit Kranto on Type Network.
Retype Foundry is a two-person independent digital type foundry based in The Hague. Ramiro Espinoza, who founded the company in 2007, manages it in close collaboration with his partner, editorial designer Paula Mastrangelo. Retype’s catalogue reflects the pair’s interest in editorial design and a keen familiarity with Dutch type history.
Discerning design studios and art directors looking for solid, modern-looking type families will find in Retype a well-crafted and diverse selection of typefaces, many of which have won design awards. The foundry’s work meets even the most exacting requirements for aesthetics, legibility, and originality.
Companies in need of a unique visual identity can also turn to Retype for custom typeface design, as well as the fine-tuning of existing fonts, pieces of lettering, and logos.
As with everything from Adobe Fonts, you can use these fonts for:
Design Projects
Create images or vector artwork, including logos
Website Publishing
Create a Web Project to add any font from our service to your website
PDFs
Embed fonts in PDFs for viewing and printing
Video and Broadcast
Use fonts to create in-house or commercial video content
How to Use
You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.
Desktop
In application font menus, this font will display:
{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}Web
To use this font on your website, use the following CSS:
font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};
Glyph Support & Stylistic Filters
Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.