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Inspired by the tasting menus offered by craft breweries in North America as “flights”, each style is separately designed by guest designers using a specific type of beer as inspiration. Beer types are arranged so that the color of the beer corresponds to the weight of the style. Upright styles correspond to beers with a dry finish.

Stout, designed by Joshua Darden in 2008 as the upright Bold, was the first release of a project always intended to evolve. The result of years of compulsive doodling, Stout was developed with and published to amuse Matteo Bologna (hence the name being the Italian spelling for Beer).

Bruin, designed by Elena Schneider in 2019 as Medium Italic, reinterprets the familiar associations with the beer name Oud Bruin (old brown) by adapting the Blackletter font genre. It goes well beyond the familiar by delivering a vibrant and contemporary Blackletter with a passion for straight lines. Adding to the Bruin-like richness, Upper- and lowercase don’t have exactly the same voice but create a nice duet when singing together. Uppercase set on its own offers a contrasting feeling.

Saison, designed by Viktoriya Grabowska in 2020, as Thin Italic doesn’t work — it plays. This TDC award-winning non-traditional “Thin” disrupts weight classifications. Asking, what style takes up more space than Extra Black and has strokes as light as Hairline? Saison is refreshing like the cloudy body and lofty foam of its namesake beer. It is for your best and most exuberant, typographic picnics.

Type Designers

Darden Studio

Founded by Joshua Darden, we publish work that we want to experience in the hands of others and to use ourselves. Darden Studio membership signifies an affinity for the brand started by Joshua Darden and continued by Joyce Ketterer (most members have multiple projects in multiple places but regard the studio as a kind of second home.).

We pursue typography that is the result of earnest inquiry, suited to contemporary technical and design expectations, and rooted in the values and practices of five centuries of typefounding. Good typography withstands the whims of fashion. It is aware of its time and place but functioning far into the future. To begin a conversation, please get in touch with us and tell us what you’d like your type to say about you.

Licensing Information
The full Adobe Fonts library is cleared for both personal and commercial use.

As with everything from Adobe Fonts, you can use these fonts for:

Design Projects

Create images or vector artwork, including logos

Website Publishing

Create a Web Project to add any font from our service to your website


Embed fonts in PDFs for viewing and printing

Video and Broadcast

Use fonts to create in-house or commercial video content

And more…

Visit the Adobe Fonts Licensing FAQ for full details

Visit Darden Studio to purchase additional licensing and services, including:
Mobile Apps: Embed fonts in your app UI
Self Hosting: Host web font files on your own server
Custom Services: Request modifications or bespoke fonts directly from the foundry
Volume licensing: Use the fonts across your whole organization

How to Use

You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.


In application font menus, this font will display:

{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}


To use this font on your website, use the following CSS:

font-family: {{'"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};

Glyph Support & Stylistic Filters

Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.