Kai is an elegant, masculine gothic (sans-serif) style typeface.
It has linear structures, but is designed to retain softly finished glyph shapes. Kana characters are based on the structure of the Kodo-ken Shincho-tai typeface style.
Each character’s inherent form is naturally beautiful. Whether a character is wide or narrow, small or large, it is designed to fit inside a circle, as a correctly written kanji or kana character tends to fit inside a circle. If each character’s visual center is consistent in both horizontal and vertical directions, you will have beautiful typeset results, whatever the outer shape of the character.
For example, if multiple character elements (such as hen and tsukuri) of the 曇 character, are stacked vertically or juxtaposed side by side and put in a square, the natural character structure will be distorted. To avoid this, we simply stack or juxtapose the character elements, even if some character shapes will be narrowly condensed or their (bounding box) sizes will be very large. This is how a letterform is naturally constructed.
One basic characteristic of a Gothic (sans-serif) typeface is that stroke widths are optically aligned. Different characters need different stroke widths. Characters with a small number of strokes tend to look larger and lighter, and characters with a large number of strokes tend to have higher density and look heavier, if drawn with strokes of the same width. Spaces between strokes might be filled undesirably when printed. In this design, the density of the main character parts is as balanced as possible, instead of evenly distributed across the whole, so that characters have their own inherent, natural and attractive forms.
This font contains 2,286 characters from the Joyo Kanji List and Jinmei-yo Kanji characters, as well as additional 206 characters including kana characters, punctuation marks and Latin characters, etc.
In Japanese font production today, the 7,000 characters in the JIS standard are considered essential. But, do all fonts really need 7,000 characters? In the age of phototypesetting, far fewer characters were needed. FONT1000, a group of independent type designers, started with that simple question. We have selected the minimum 1,000 kanji (ideographic) characters needed for typesetting in Japanese and actively created typefaces and fonts to support it. This 1,000-kanji-character set was selected using character frequency data compiled by newspaper companies, publishing houses and linguistic research organizations, etc., and also includes kana syllabic characters and punctuation marks. FONT1000 was formed in 2001 with 25 designers and 25 typefaces. Today we have 130 typefaces and have grown to include nearly 40 members, making it possible to work on fonts with more characters.
As with everything from Adobe Fonts, you can use these fonts for:
Design Projects
Create images or vector artwork, including logos
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PDFs
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How to Use
You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.
Desktop
In application font menus, this font will display:
{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}Web
To use this font on your website, use the following CSS:
font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};
Glyph Support & Stylistic Filters
Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.