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Tribute

With the release of Tribute, Heine followed a path similar to that of Dalliance by using a single printed source (a photo copy of a reprint of a type specimen printed around 1565) as its model. The specimen in question was set in typefaces cut in 1544 and 1557 by the French punchcutter Francois Guyot. Not nearly as influential as his elders, such as Garamond or Griffo, Guyot’s unusual treatment of certain characters and overall idiosyncratic approach appealed to Heine’s aesthetic sensibilities. Also, to design a font based on a Renaissance Antiqua had been a long held desire for Heine, who said “I am particularly attracted to its archaic feel, especially with settings in smaller design sizes. It is rougher with less filigree than the types of the following centuries thus exhibiting much cruder craftsmanship of the early printing processes.” By using a third generation copy as a model, which did not reveal much detail, allowed Heine enough room for individual decisions resulting in a decidedly contemporary interpretation while maintaining a link to the past.

Fellow type designer and sign painter John Downer describes the result as follows: “It is evident that Frank Heine’s Tribute possesses an element of ‘type caricature’ in its drawing, but this fact doesn’t relegate it to that one category. Heine has really gone beyond parody, well into an area of personal exploration. He has challenged many traditional assumptions that we connoisseurs of hand-cut type have maintained in our attitude toward the historical accuracy sought and loved and expected in revivals. The result is a unique combination of caricature, homage, alchemy, and fanciful reinterpretation. Tribute, I think, recalls Guyot’s native French-learned style, primarily as a point of departure for an original—albeit implausible—work of historical fiction, with merits and faults of its own.
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Type Designer

Emigre

Emigre Fonts is a digital type foundry and publisher of type specimens and artist books based in Berkeley, California. From 1984 until 2005 Emigre published the legendary Emigre magazine, a quarterly publication devoted to visual communication. The Emigre font library features more than 600 original typefaces, including Mrs Eaves, Brothers, Matrix and Filosofia.

Licensing Information
The full Adobe Fonts library is cleared for both personal and commercial use.

As with everything from Adobe Fonts, you can use these fonts for:

Design Projects

Create images or vector artwork, including logos

Website Publishing

Create a Web Project to add any font from our service to your website

PDFs

Embed fonts in PDFs for viewing and printing

Video and Broadcast

Use fonts to create in-house or commercial video content

And more…

Visit the Adobe Fonts Licensing FAQ for full details

Visit Emigre to purchase additional licensing and services, including:
Mobile Apps: Embed fonts in your app UI
Self Hosting: Host web font files on your own server
Custom Services: Request modifications or bespoke fonts directly from the foundry
Volume licensing: Use the fonts across your whole organization

How to Use

You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.

Desktop

In application font menus, this font will display:

{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}

Web

To use this font on your website, use the following CSS:

font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};

Glyph Support & Stylistic Filters

Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.